Priority Export “Family”: Cultural and Creative Industries

France’s cultural and creative industries account for around 2% of the French economy and nearly 600,000 employees. It is a key sector that generates €32.1 billion in export revenues.

France’s cultural and creative industries lie at the crossroads of economic diplomacy and soft power and are fields of excellence for our country. Promoting them is essential to ensure both the distribution of French creation and support for our cultural businesses.

The cultural and creative industries unifying family strives to encourage synergies between the various sector stakeholders by bringing them together under a common identity. The objective is to enhance the visibility and competitiveness of French cultural and creative industries abroad to improve their results in emerging and trend-setting markets.

Jean-Noël Tronc was appointed as cultural and creative industries unifier in February 2018.

French position

Exporting cultural goods helps to spread French language and culture and project a strong, dynamic and innovative image of our country. France’s cultural and creative industries are a source of artistic, intellectual and technological exchange, and promoting them supports other business sectors (such as tourism) which generate €32.5 billion for the economy. France boasts several global leaders in each sector, such as Universal Music in the music industry; Ubisoft in the video games industry; and Hachette in the publishing industry.

Certain sectors enjoy a prominent position on the international scene. For example, French cinema ranks second on the international film market, just after the United States, and French book publishing is the leading French cultural export industry. France has also had considerable international success in music, animation and television series production. Because the cultural and creative industries are a powerful vector of our soft diplomacy, supporting related exports is a priority for the Ministry for Europe and Foreign Affairs.

https://www.diplomatie.gouv.fr/en/french-foreign-policy/economic-diplomacy-foreign-trade/supporting-french-businesses-abroad/priority-sectors-for-supporting-french-exports/article/priority-export-family-cultural-and-creative-industries

A talk with Eniko Schmidt about CCI sector

  1. Can you introduce yourself highlighting your connection with CCI sector and your role in EEN?

My name is Enikő Schmidt, and I am working for the Chamber of Commerce and Industry of Pécs-Baranya – south of Hungary – as Head of the Trade development Department from 2006. We are hosting the Enterprise Europe Network office of South-Transdanubia as well, where we provide special partnering and advisory services for companies willing to enter foreign markets, or find international partners in the safest and cost effective way. We try to reduce their risks with information, skills development, IPR advice, detailed explanation of the free IT tools provided by the network.

Based on the composition of the local entrepreneurs and potential economic development possibilities, we realized that there is huge, untapped potential in the Sme’s of the creative sector, and we have to make them visible for each other, and for foreign partners as well.

I personally worked in this field for many ways – window decoration, Tiffany glass works, classical ballet, organisation of cultural events, local sub-projects for Pécs European Capital of Culture 2010, organization of Hair&Beauty Professional Competition and Fair – and I worked with a lot of companies previously from this field. As I know personally these artists and service providers, it was self-evident for me to join this group of advisors of the Network right at the beginning in 2011. We have all kind of IT tools to help these entrepreneurs, but the personal connection is still the best way to connect people and companies. I think this is our most powerful tool so far, and the Creative Industry Sector Group of the Enterprise Europe Network has a proven track record of success for its clients across the globe.

  1. Can you introduce EEN mission and particularly that of the sector group on CCI?

The Enterprise Europe Network helps businesses innovate and grow on an international scale. It is the world’s largest support network for small and medium-sized enterprises (SMEs) with international ambitions.

The Network is active in more than 60 countries worldwide. It brings together 3,000 experts from more than 600 member organisations – all renowned for their excellence in business support.

Member organisations include:

  • technology poles
  • innovation support organisations
  • universities and research institutes
  • regional development organisations
  • chambers of commerce and industry

Teams of Network experts in each member organisation offer personalised services to businesses. They know the local business environment and have contacts for business opportunities worldwide. The Network can also offer a targeted approach aimed specifically at your business sector. Its expert groups cover all key economic sectors, from healthcare to agrofood, from intelligent energy to fashion and textile.

Experts in 17 key sectors from all across the Enterprise Europe Network have teamed up to provide companies with customised support. The Network’s Sector Groups combine international business expertise with local knowledge. We can help your business grow through tailored support and new partnerships. We can also advise you on how to find partners to apply for EU-funded joint research or other projects.

The thematic focus of Creative Industry Sector Group:

  • Film
  • Radio
  • Television
  • Music
  • Art
  • Crafts
  • Gaming
  • Publishing
  • Digital media
  • Fashion
  • Performing arts
  • Advertising
  • Photography
  • Design
  • Digital animation
  1. Why do you think internationalization is important for CCI?

In our everyday work, we see the lack of information and untapped partnering connections of these companies, and even though the European Creative Industries generate almost € 560 billion to the total GDP, which translates to 4.5% total of the GDP in 2008 for the 27 EU member states. The industry is also responsible for 8.5 million jobs in the EU.

We experience that with the smallest help, information, co-organized B2B event how much we boost their businesses. The biggest step of course is to enter foreign markets, but that generates the most results as well. That has a very high risk and usually needs a lot of investment – money, time, energy – but it will be a „dimension jump”, we can imagine the above mentioned numbers and results to grow exponentially. It is really worth it to help them.

Thanks to our team of experts, the Europe Network Sector Group for Creative Industries is committed to:

  • Forming a Europe – wide network of Creative Industry SMEs and specialists to share knowledge, ideas, innovation and inspiration;
  • Bringing together Creative companies from across all disciplines to enhance opportunities and commercial partnerships;
  • Advising and informing companies of the latest EU legislation, policies and programmes related to creative industries
  1. What should be the role of intermediaries in promoting internationalization opportunities for the CCI sector?

The main task of an intermediary institution is to interconnect companies, projects, institutions, all actors of the area, and to create synergies among them. Through selected joint activities the Sector Group supports SMEs, Research centers and Universities in:

  • Finding partners for joint European research and Commercial projects;
  • Sourcing new and innovative technologies, licensing and joint venture;
  • Exploring and selecting new markets;
  • Expressing opinions on European policies with respect to all apsects of creative design and other related industries;
  • Showcasing European creative talent by creating transnational networks of creative industry experts and organizations

All intermediaries has their own networks, databases, IT tools, a lots of knowledge accumulated over the years, and the most important: personal connections. We have to use all these already existing tools to help our clients, and according their changing needs to create new connections, to invent new methods, to follow and continuously support these processes in our creative way.

  1. What do you think of ICCI project?

It is a great idea to educate together all these experts, those trainings will surely have a great added value for the participants and a completely different view on how to continue further. We are at the beginning of the project and of the co-operation as well, but I expect a lot of knew knowledge, new connections, better understanding of each-others client’s and market’s needs.

At the last meeting of our CI Sector Group in Copenhagen we realized that are so many new EU funded creative industry related parallel projects, that as a new task of the CISG, we have to create some kind of synergy between them. The ICCI project will establish a strong “bridge” between these projects by creating a common/shared knowledge of the participants of the different projects. This way it will help all of them, all of us.

  1. What are the elements of a successful internationalization campaign for a CCI operator?

As the first aim is to give visibility for CCI companies at international level, the best solution is to communicate through a “network of networks”. That is exactly what we are creating now by the ICCI and other project co-operations.

Second task is to create the possibility to meet each other. In the case of our relatively small sized or even micro companies is unimaginable at the beginning, but by using our – free of charge – tools, it becomes a reality in a very fast and easy way.

The co-organised brokerage events are excellent opportunities for our clients to find new business partners, because we have quiet new, young, enthusiastic but unexperienced companies. They have to learn a lot about the business part of their activity, and it is very useful to learn techniques and real life experiences from similar companies through the partners.

And finally, for me the success of my work is, when after learning, teaching, communicating, connecting and doing all these, a company can work and progress on itself.

Training on Internationalisation in Matera – Results of the selection

After a very difficult selection, with over 300 users registered on our platform and 150 applications, we are finally able to announce the list of artists, creative entrepreneurs and intermediaries selected to take part in the training week of Matera, Italy from 28th January to 3rd of February 2018.

Here is the list:

Brune Charvin (France)
Jessica Ferey (France)
Camille Foures (France)
Robert West (UK)
Yolanda Mercy (UK)
Elen Roberts (UK)
Jaanika Kikkas (Estonia)
Elvo Jakobson (Estonia)
Mauri Abner (Estonia)
Coral Pereda (Spain)
Jose Francisco Rojas Matas (Spain)
Elvira Rilova (Spain)
Patricia Gallego (Spain)
Iman Kamel (Germany)
Ole-Kristien Heyer (Germany)
Hanna Schonberg (Germany)
Kristzina Papp (Hungary)
Gyongyver Peceli (Hungary)
Eniko Schmidt (Hungary)
Daniel Fat (Romania)
Andreea Ranja (Romania)
Sabina Baciu (Romania)
Andrea Pugliese (Italy)
Anna Estdhal (Italy)
Giovanna Marroccolo (Italy)
Vania Cauzillo (Italy)
Carlotta Vitale (Italy)
Maria Teresa Cascino (Italy)
Milan Vracar (Serbia)

For those of you who have not been selected, we invite you to follow our social networks and website since we are planning to launch the online learning environment on our platform where you will be able to find many of the tools we will use in Matera.

Furthermore, partners are planning to organize local workshops to replicate the training at national level so thank you very much for the interest showed and stay in touch!

For the selected participants more info to come soon from national partners.

See you all in Matera!

Call for artists and intermediaries

Are you an artist, a cultural operator, an entrepreneur from the creative and cultural sector?

Do you work to support as intermediary creative and cultural industries?

Are you interested in internationalization?

Do you want to explore European and foreign markets for your product and services?

ICCI partnership is looking for you!

We are launching this call to recruit:

  • 16 artists/cultural or creative entrepreneur from Estonia, France, Germany,  Hungary, Italy, Spain, Romania, UK
  • 8 intermediaries (from chamber of commerce, incubators, regional development agency, public organization) working with creative and cultural industries from Estonia, France, Germany,  Hungary, Italy, Spain, Romania, UK

to participate in a one week European training on internationalization to be held in Matera, Italy from 28th January to 3rd of February 2018.

ICCI project is an Erasmus + Strategic Partnership financed by European Commission.

The trainig Costs of travel and accomodation will be covered by the project.

Ready for this journey?

How to apply

Step1

Go to http://erasm.power.ro:5780/en/register and register your profile

Step 2

Complete your profile details adding any relevant information and links to your portfolio and work/activity/business http://erasm.power.ro:5780/en/profile

Step 3

For artists

If you are an artist, a cultural operator or a creative entrepreneur please apply for the course here http://erasm.power.ro:5780/en/discussion/post/creative-industry-other/icci-training-matera-applicants-motivation-and-expectations-1.

For intermediaries

If you are an intermediary organization please apply for the course here http://erasm.power.ro:5780/en/discussion/post/intermediary-organization-for-supporting-the-internationalization/icci-training-matera-applicants-motivation-and-expectations

You should add your comment stating why you would like to participate in ICCI training week and what are your expectations. Be as detailed as possible since we are going to make the selection based also on the energy and motivation of candidates!

Deadline for the call is 31st of December 2017

For more information on the call please follow us through

Where does the creativity hide

Have you ever wonder where does the creativity hide?

We wonder and that’s why we found this very interesting speech on TED from Amy Tan. Amy Tan in as American writer. In 1983, she became a freelance business writer, working with telecommunications companies, including IBM and AT&T. Her novel The Joy Luck Club was adapted into a film in 1993 by director Wayne Wang. Now she is sharing with us her view on the creativity.

What’s creativity? For us is a process when we make a connection between old and new ideas or recognizing relationship between some concepts and idea. Being creative doesn’t mean to generate something new it’s rather taking what is already on the market and trying to present it in a new – better way.

Do you know that there are many great possibilities that you have never considered before? By analyzing Amy’s experience and her path we can see that creativity can hide everywhere. The clue is that we should be aware of this fact and have our eyes open all the time.

Creativity is inside of each of us so we just have to explore it and use it. Sometimes there are no answers for our questions – is that good or bad? Is that making you to be more creative? Amy is sharing her experience from different perspective and using original way to present her point of view related to creativity.
Listen to her voice and stimulate your creativity:

Supportare, collaborare

The impression from Materahub on the visit in Sweden at Norbotternsteater with theatre companies of #reteteatro41. How to support artists to create international links.

The article is in Italian.
Source: #reteteatro41

Supportare, collaborare

A Lulea arrivo dopo una giornata Parigina di brainstorming con altri progetti Europei che stanno cercando di supportare le imprese culturali nel difficile percorso di sostenibilità e internazionalizzazione.

Sono questi i due concetti intorno ai quali Materahub ha deciso di sviluppare la collaborazione con #reteteatro41 e il Norrbottensteater.

Molto spesso cerchiamo in Europa dei modelli a cui ispirarci o da portare a casa per poi testarli e capire se possano funzionare anche da noi.

Questa volta non è così, il modello, la metodologia, l’esperienza parte dalla Basilicata e dalle 5 compagnie della rete e viene invitata nel Nord della Svezia, in una regione che, paradossalmente, ha tanto in comune con la nostra.

Il percorso che è iniziato con #reteteatro41 è un percorso di potenziamento e crescita attraverso la creazione di collaborazioni Europee.

La Svezia è solo la prima tappa di un viaggio che, anche contando su altre reti nazionali ed Europee, potrà portare l’approccio educativo, che fa del teatro uno strumento non formale di sviluppo di competenze, ad essere valorizzato in un ambiente internazionale.

Questo processo è partito e andrà avanti grazie alla voglia di collaborazione dei protagonisti di questo viaggio. Cosa succederà al nostro ritorno? Sarebbe bello poter coinvolgere nel percorso anche attori impegnati a sviluppare politiche a supporto del settore culturale e creativo in regione per provare ad allargare questa opportunità ad altre reti ed altri operatori Lucani. Sarebbe bello poter capire come esperienze come queste possano essere portate a valore accompagnando le amministrazioni a progettare nel modo giusto.
I primi passi sono stati mossi, aperta è la sfida, spazio al futuro.

Musicians international promotion

by Nieves Verdejo –  fygconsultores
areamanager2@fygconsultores.com

Artists’ talent is the main reason behind Creative and Cultural Industries (CCI) and it is worth to promote and protect. This industry is an innovative engine essential for the economic development.

Even if talent should be promoted, it is not easy for artists to make themselves noticeable and gain public recognition. Nevertheless, in the last decade some of the traditional procedures of the industry have completely changed. This is the case of performing arts and musicians, to whom internet and social media have specially contributed in their self-promotion. Sometime ago just finding a proper promotor was tough, and nowadays a mouse click is enough to be on an internet platform and arrive to a worldwide audience. As a result, performing arts is the sector from CCI which generates more employment (6,73 million) and music the third one (3,98 million).

The most famous online platform is YouTube, every musician who wants to be known has its own channel. In order to contribute to promote emerging artists the platform uses different tools. For example, the web-page proposes possible new artists/songs one may like by analysing your previous views; they have as well music festivals like the YouTube Music Awards as well as agreements with different radio channels. Moreover, the online platform has noticed the potential of emerging artist and has created a tool called “YouTube for artists” where they teach and give advice about how to maximize the use of the website in order to be discovered, how to create engagement with the public, and free production resources among others.

Therefore, promoting oneself through internet is important, and there are different public contests which aim to make new artists known in an international context. Promoted by the EU there are two festivals: European Border Breakers Awards, (creative Europe programme), this is an initiative designed to highlight the success of emerging European artists in foreign markets.

European Talent Exchange Programme; its aim is to make artists to cross borders in Europe and build European and international careers. On the other hand, national promoting contests are being carried constantly by private media companies with the intention of helping small groups to overcome finance difficulties and launch their career.

 

The first nice residency in ückendorf creative. Quarter bears fruit

by Aude Bertrand, ecce

Customised, personal, inspired and inspiring: the alternative tour of the Ruhr region brought together five artists and creatives from London, Bilbao and Berlin. From 26 to 29 April, Catherine Bottrill (from the UK), Patricia Gutierrez, Cristina Velasco (both from Spain), Nathan Lange and Stefan Mekiffer (both from Germany) were our guests at the Halfmannshof artists’ community in the Ückendorf Creative.Quarter. We accompanied them and hooked them up with local individuals and institutions. It was a fruitful exchange and generated new ideas for the Ruhr region.

Improving the world step by step instead of putting it to rights overnight: a residency with a difference.

If you imagine an artistic and creative tour of the Ruhr region, you might expect a few industrial highlights, a chance to absorb the landscape and to capture the unique atmosphere in a few sketchy snapshot moments, to hang around with like-minded people from the residency, go to the local pub and maybe spend a night putting the world to rights. Then – after a few days or weeks – the return journey: recalling impressions on the way home and hopefully being inspired to come up with some new projects.

The first NICE residency was not like this at all. We developed customised tours for Catherine, Patricia, Cristina, Nathan and Stefan, shortlisted nominees from the NICE Award 2016. Hardly anything was left to chance because we approached individuals and institutions in Gelsenkirchen, Bochum, Dortmund and Essen in advance. We probed for mutual interests and acted as a kind of project matchmaker. By the time the guests arrived in Gelsenkirchen from Berlin, Bilbao and London it was clear that the four-day residency could lead to fruitful discussions and ideas.

Well looked after: Lovingly furnished guest rooms and a strong team presence in the Ückendorf Creative. Quarter

 Let the guests arrive: The rooms are ready, and a friendly welcome committee is waiting

 

Let the guests arrive: The rooms are ready, and a friendly welcome committee is waiting Location: Ückendorf Creative.Quarter. Arrival: Wednesday 26 April. The rooms at the Halfmannshof artists’ community are freshly prepared, complete with towels and a bunch of flowers. We want our guests to feel at home. A friendly team – Christiana van Osenbrüggen and Anabel Starosta – are waiting and pick the guests up from the station so that there’s no risk of them getting lost on connecting trains through the Ruhr region.

Personalised tours

After a group breakfast at Halfmannshof on Thursday 27 April, the programme starts at 10 a.m. on the dot. This is where the paths divide: Sandra Czerwonka, Bernd Fesel and Nadine Hanemann from ecce arrive to collect the guests. Catherine sets off for the NRW-Forum in Düsseldorf, where she meets Artistic Director Alain Bieber, as well as Reinhard Krämer and Marlene Schüsseler from the NRW Ministry of Culture. Then it’s off to the Business Development Agency in Dortmund. This programme, supervised by Sandra, is very specific: the graceful Brit is a successful energy entrepreneur, specialising in green energies and is campaigning for greater sustainability in the creative community. -> read more: Julie’s Bicycle Project.

 

In photo (right): Catherine Bottrill

 

The Spaniards get into Bernd’s car. First stop: the Gelsenkirchen Art Museum, just one of the Ruhr art museums on the itinerary. Ella Katharina König, who is responsible for art outreach and education, is intrigued. Patricia and Cristina have developed a 3D process for art institutions like the Museo del Prado in Madrid and the Pushkin Museum in Moscow. It is a type of 3D touchscreen that allows visually impaired visitors to experience paintings. -> read more: Touching the Prado project.

 

Patricia Gutierrez and Cristina Velasco talking to Regina Selter of Dortmunder U (left)

 

For the representatives of the ROC21 project in Berlin, the first stop is the Zukunftsakademie NRW (NRW Future Academy) in Bochum. Their first contact on the Ruhr scene is Guy Dermosessian, who is also known as a DJ and who runs the IKF-funded Kalakuta Soul Records project. As a result of his work at the Zukunftsakademie, he is very sensitive to the issue of building an inclusive society, which is particularly pressing in the context of the so-called refugee crisis. Among other things, Nathan and Stefan are involved in the construction side of ROC21 and have specialised in low-cost conversions of unoccupied inner-city buildings. -> read more: ROC 21 (Refugee Open Cities) project.

 

Moritz Jüdes (front left, prüfen) and Jochen Nünnin (back)

 

Impressions of the Ruhr Creative. Quarters

In the evening everyone gathers again in Gelsenkirchen for dinner with representatives of the City of Gelsenkirchen and ecce. Dr Volker Bandelow and Andreas Piwek welcome the European guests and run through plans and concepts. Afterwards, for anyone not too tired after all these impressions, there is a jazz concert.

Visiting the Creative.Quarters: In Essen with Peter Petersen. Dr Volker Bandelow goes through new plans.

 

Concrete project ideas for the Ruhr region

Friday, 28 April is no less busy than the previous day. Catherine is at KlimaExpo.NRW, a climate change project, then in Essen to visit Essen Marketing Gesellschaft and the city’s environmental agency. Discussions with the various institutions over the two days lead to new ideas: a European sustainability project perhaps? Or an NRW climate film festival? There is nothing like this in Germany yet. Nathan and Stefan spend the morning in Dortmund. Together with Nadine Hanemann, head of research and evaluation at ecce, they visit Gesa Harbig from VMDO, an umbrella association for migrant organisations, and also take a look at accommodation there. Later, at ecce, they meet Bernd, who sounds out the possibilities of collaboration within the Ruhr Creative.Quarters project. Patricia and Cristina are in Essen today, visiting the Essen North Creative.Quarter, where they discuss the technological possibilities of 3D printing with Peter Petersen from 3D-Druckzentrum Ruhr. Then they go to Dortmund, where they are welcomed by Jasmin Vogel, Marketing Director of the Dortmunder U, an art and creative centre. Regina Selter at the Museum am Ostwall gives them a guided tour of the exhibition, which leads to intensive discussions. Regina Selter would like to test the technology developed in Bilbao for the Fluxus collection at the Dortmunder U. The technology digitises works of art and replicates them using a process similar to 3D printing, so that visually impaired visitors can experience them. Promoted with the motto “Please touch”, the technology adds a new dimension to museum educational work (although it also has technology cost implications).

In-depth discussions with Regina Selter from the Museum am Ostwall

 

Official final dinner at Halfmannshof

Over a final dinner at Halfmannshof, the participants share the impressions gathered over two eventful days. Christiana van Osenbrüggen, an expert from the Ückendorf Creative.Quarter shows a film from “Bochumer Straße Speaks”, an international project for bringing unoccupied properties to life.

One thing is certain: the foundation stone has been laid. A second NICE residency is planned for next spring.

Final presentation and dinner: Creative entrepreneurs and artists from the Ruhr region are among the guests

 

The foundation stone has been laid. >> Read more about the NICE Award

 

About the first NICE residency 2017:

The projects Touching the Prado, Julie’s Bicycle and ROC 21 were selected from the NICE shortlist 2016. All three projects connect creative entrepreneurship with social challenges like climate change, the refugee crisis and enabling people with disabilities to participate in cultural life.

About the NICE Award and the NICE Network:

The European NICE Network was set up in 2013 under the leadership of the european centre for creative economy (ecce) in Dortmund. Today it has 28 partners in 13 countries.

It promotes the cultural and creative industries through the NICE Award, Europe’s only innovation prize open to artists as well as cultural and creative entrepreneurs, public institutions and non-profit foundations. Since 2013, over 400 innovation projects have applied for the NICE Award, which is awarded by an independent jury. >> To the NICE Award 2017 [LINK]